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LARCH 060

Thursday April 8th, 1999
Announcements: none

Lecture notes:

Main points on the lecture from Tuesday's class:

  • Penn State was influenced by Beaux Arts, it also had neo-classical and classic revival
  • Lowrie: the first master plan with the quadrangle at the Pattee area, orderly, grouped by fuction
  • Charles Klauder: Developed second master plan, 2 malls, orderly, grouped by function
  • Planning and design expressions influenced the popular movement
  • PSU architecture and planning mixed
  • Old Main did not burn down

 


ESTATES-ECLECTIC (Charles Platt):

  • Borrowed from old styles

Socio-cultural milieu:

  • Style is important
  • Reaction against machine
  • Single-track eclecticism-creating harmony among parts
  • There was not anything driving this movement

Design Expression:

  • Italian villa
  • Use of sight lines from house to gardens
  • Geometric, softer edges, orderly, boundaries
  • Architectonic-outdoor rooms
  • House/grounds integrated
  • Gradation to parklike setting (less fully developed area surrounding house)
  • Charles Platt---active at the end of the 19th century. Took a trip to Italy, inspired by Italian villas. Wrote a book which was very publicized about Italian gardens...causing wealthy and mid-class to move to country to express themselves. Style created a sense of order
  • Timberline: estate in Byrn Mawr, PA, extended terrace area and stairs to provide indoor/outdoor transition, orderly, arcade (building---to--semi-enclosed area----to--outside)

....meanwhile, these ideas are disputed.....

 

ESTATES-MIDWEST (Jens Jensen), "Prairie Style":

Land/environment:

  • Celebrate regional character, scenery, native paintings (ecology)
  • Conservation mindset
  • Very aware of the landscape

Socio-cultural milieu:

  • Democratic expression
  • Reform (in Chicago)

Design Expression:

  • ELS-like, BUT...
  • Horizontal expression: (horizon, rock stratification, branching patterns) to suggest strength of land
  • Use of native plants (weeds!!)
  • Broad and narrow outdoor rooms
  • Organic--work ought to look like it came out of place itself (looks like it belongs there)
  • Example) Fairlane
  • Jensen: worked as a gardener up to superintendant of Chicago park. Objective was to recognize what was already there (naturalistic using native plant materials), water usually introducing if it wasn't already there
  • Lincoln Park (Illinois):one of few remaining Jensen parks, set aside area, reserved
  • A counsel ring was used in Lincoln Park. It is a place for people, socializing, contemplating. Often placed at end of a clearing, sun spaces
  • Fairland (Michigan): part of Henry Ford estate. Jensen was called in because of grading problems (drainage, water). Then he got involved with whole estate. Created cascades, damned river for hydroelectric power. Wanted to reflect/accentuate the land
  • In Jensen's late years he developed institution/schools for learning and contemplation

 


INDUSTRIAL OR MODERN CITY-"International Style":

Land/environment:

  • Embrace urbanism, make it new, perfect (utopia)

Socio-cultural milieu:

  • Respect for the machine, industrialization
  • New materials
  • Embrace autos
  • City is "society in progress", always moving forward
  • Designer/planner is social engineer

Design/Planning expression:

  • Regional scale-small, intimate scale
  • Comprehensive: broke the 3 broad areas down (kindergardens, sport facilities, art schools, etc...)
  • New forms
  • Get down to the level of the person
  • People would own and control the city. The city would be sited in an area where it could access all resources...also, cities would require great regulation. They also wanted free access to schools, transportation and buildings
  • Cite' Industrielle: (Tony Garnier) , clustered buildings together by function...factories, heart of city with houses and schools, health facilities, explored new materials (concrete), wanted buildings to be dignified with people so they used a lot of green, wanted to balance the aesthetic for comfort
  • Expression of function and mass production
  • Orderly, rational
  • Skyscraper , "City in the park"
  • Examples) Plan Voisin in Paris and Radiant City by le Corbusier

.....Garnier's ideas were never fully embraced....

  • Le Corbusier: studied Garnier, visited Garnier and experimented with his ideas, embraced machine. Balance people and machine, art of the future reflecting mass production, social harmony. Believed that planning should be a rationally studied science and only studied by people who understood it. Felt that the city should be split by function/class. Health of the city was contingent on ability to provide speedy transportation. "A city that achieves speed achieves success", use of INTERSECTION, Felt design of dwellings should be large scale. Ability to personalize within own space

 
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These notes are not a substitute for class attendance.



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