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Study Break!


Art History 112
 

Wednesday, March 24, 1999

Announcements:

  • make sure you have a list of slides for next week's (March 31) midterm exam; they will be available in section, as well
Lecture notes:     The green text refers to slides displayed during lecture.

    Jean-Antoine Watteau

  • helped establish Rococo style
  • employed a subtle sense of melancholy
    • adds to depth, poignancy
  • established Fete-Galante (aristocratic outdoor garden party)
    "Gilles and Four Other Characters from the Commedia del-Arte" (Pierrot), Watteau,
                c.1719
  • naturalistic, outdoor setting
  • other characters, and donkey are present
  • though his clothing is comical, his face is very gentle, vulnerable
    • provides psychological insight
  • clown in usually a "type", but Gilles' face provides insight into personality, emotions, etc.
    Francois Boucher
  • court painter, decorator
  • almost all of his work was executed for French aristocracy, especially Madame de Pompadour
  • becomes single-most important artist in contemporary France when he serves as the King's personal artist
    "The Toilet of Venus", Boucher, 1751
  • themes of gods and goddesses prevalent in Rococo style
    • for frivolity and eroticism
  • frothy
  • represented as a human figure, but we are reminded that she is a goddess by the presence of the cherubim
  • interest in flirtation, wit, fashion
  • stormy skyscape
  • texture of jewelry
  • Baroque diagonal composition translated into Rococo vernacular
  • At this time money is being drained from the national coffers for war and extravagances.
  • Boucher removes aristocrats from reality and places them in mythological/fantastic settings.
    • this is representative of their complete removal from the difficulties of the real world
    Jean-Honore Fragonard
  • pupil of Boucher
  • exaggerates qualities of Boucher
    "Bathers", c.1765
  • nature is given over to fantasy
  • decorative
  • pleasurable
  • erotic
  • curves
  • love for gardens
  • mythological subject
    "The Swing", c.1766
  • bishop in background pushing her
  • baron in foreground (in underbrush) looking up his mistress' dress
  • delicate leaves; invented, fantasy leaves
  • use of the Baroque diagonal
  • harmlessness, playfulness
  • scintillating, light-filled brushwork
    Age of Enlightenment
  • Voltaire was an influential thinker/philosopher of the time
  • recognized the ultimate power of human reason
    • empirical thought
  • set laws governed nature, and they could be learned/understood by humans
  • was a shrinking back from the carefree Rococo attitude
    • Rococo period seen as a time of wanton lasciviousness
  • education is an important theme
    Jean-Baptise-Simeon Chardin
  • painted during "Rococo period", but in an innovative (and different) style
  • depicted daily/everyday life
  • simplified subject matter
  • middle-class subjects
    "Boy Blowing Bubbles", 1745
  • depicts daily life
  • leaves are used in upper and lower corner as parentheses
  • the soap bubble represents the ethereal quality of life
    "Back from the Market", c.1739
  • middle-class life
    England
  • nearly untouched by Rococo style
  • William Hogarth was an influential painter of the time
    • emphasized "message" in his painting
    • often a moral message
    "Self-Portrait", Hogarth

    "Marriage a la Mode" (series of six paintings with an single message)

  • satirizes state of modern marriage
  • social commentary
    • marriage
      • boredom of groom
      • fathers and lawyer negotiating
      • marrying into wealth
    • breakfast scene
      • aftermath of an all-night party
      • bored husband
      • house in a shambles
    Jean-Baptise Greuze
  • not satirical, but moralizing nonetheless
    "Broken Pitcher"
  • moralizing context
  • broken pitcher represents loss of virginity
    • disheveled clothing suggests violence
    a scene of a village proposal, 1777
  • everyday life
  • middle class, villagers
    "Punished Son", 1778
  • son returns just after father's death
  • like prodigal son story
  • extreme gestures by the figures
  • melancholy
  • moving away from the frivolity of the Rococo style

 

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