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Art History 112
Wednesday, March 24, 1999
Announcements:
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make sure you have a list of slides for next week's
(March 31) midterm exam; they will be available in section, as well
Lecture notes: The
green text refers to slides displayed during lecture.
Jean-Antoine Watteau
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helped establish Rococo style
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employed a subtle sense of melancholy
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established Fete-Galante (aristocratic outdoor garden party)
"Gilles and Four Other Characters
from the Commedia del-Arte" (Pierrot),
Watteau,
c.1719
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naturalistic, outdoor setting
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other characters, and donkey are present
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though his clothing is comical, his face is very
gentle, vulnerable
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provides psychological insight
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clown in usually a "type", but Gilles' face provides
insight into personality, emotions, etc.
Francois
Boucher
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court painter, decorator
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almost all of his work was executed for French aristocracy,
especially Madame de Pompadour
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becomes single-most important artist in contemporary
France when he serves as the King's personal artist
"The Toilet of Venus",
Boucher, 1751
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themes of gods and goddesses prevalent in Rococo
style
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for frivolity and eroticism
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frothy
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represented as a human figure, but we are reminded
that she is a goddess by the presence of the cherubim
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interest in flirtation, wit, fashion
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stormy skyscape
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texture of jewelry
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Baroque diagonal composition translated into Rococo
vernacular
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At this time money is being drained from the national
coffers for war and extravagances.
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Boucher removes aristocrats from reality and places
them in mythological/fantastic settings.
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this is representative of their complete removal
from the difficulties of the real world
Jean-Honore Fragonard
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pupil of Boucher
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exaggerates qualities of Boucher
"Bathers", c.1765
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nature is given over to fantasy
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decorative
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pleasurable
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erotic
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curves
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love for gardens
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mythological subject
"The Swing", c.1766
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bishop in background pushing her
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baron in foreground (in underbrush) looking up his
mistress' dress
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delicate leaves; invented, fantasy leaves
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use of the Baroque diagonal
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harmlessness, playfulness
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scintillating, light-filled brushwork
Age of Enlightenment
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Voltaire was an influential thinker/philosopher of
the time
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recognized the ultimate power of human reason
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set laws governed nature, and they could be learned/understood
by humans
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was a shrinking back from the carefree Rococo attitude
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Rococo period seen as a time of wanton lasciviousness
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education is an important theme
Jean-Baptise-Simeon Chardin
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painted during "Rococo period", but in an innovative
(and different) style
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depicted daily/everyday life
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simplified subject matter
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middle-class subjects
"Boy
Blowing Bubbles", 1745
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depicts daily life
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leaves are used in upper and lower corner as parentheses
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the soap bubble represents the ethereal quality of
life
"Back from the Market",
c.1739
England
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nearly untouched by Rococo style
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William Hogarth was an influential painter of the
time
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emphasized "message" in his painting
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often a moral message
"Self-Portrait",
Hogarth
"Marriage a la Mode"
(series of six paintings with an single message)
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satirizes state of modern marriage
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social commentary
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marriage
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boredom of groom
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fathers and lawyer negotiating
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marrying into wealth
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breakfast scene
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aftermath of an all-night party
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bored husband
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house in a shambles
Jean-Baptise Greuze
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not satirical, but moralizing nonetheless
"Broken
Pitcher"
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moralizing context
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broken pitcher represents loss of virginity
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disheveled clothing suggests violence
a scene of a village proposal,
1777
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everyday life
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middle class, villagers
"Punished Son",
1778
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son returns just after father's death
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like prodigal son story
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extreme gestures by the figures
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melancholy
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moving away from the frivolity of the Rococo style
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